![]() ![]() The videos are available on the band's website. During the production of the album, the band recorded video of the sessions, which they have released as mini documentaries of their journey to create Wolfgang Amadeus Phoenix. ![]() Co-producer Philippe Zdar hosted the recording of the album from his in home studio in Paris. Wolfgang Amadeus Phoenix has been described as a pop rock, indie pop, synth-pop, new wave, and sophisti-pop album. It's kind of bratty, especially with me, my mom is German and Mozart is Austrian and in Germany it's like messing with the Pope or something." Writing and composition Of the name, Phoenix, Thomas Mars says, "The album title is almost like a childish thing, like you're unleashing a child into the museum and he draws a mustache on the Mona Lisa or something. The album name plays off of Wolfgang Amadeus Mozart, using his first and middle name and replacing his last with the band's name "Phoenix". Phoenix produced 10 songs for release on the album in the US and Canada under the Glassnote label. Phillipe Zdar produced and mixed the album and played drums on the song "Fences", with Cult of Luna drummer Thomas Hedlund playing drums on the majority of the album. The album credits Phoenix band members Thomas Mars on vocals, Deck D'Arcy on bass, and Laurent Brancowitz and Christian Mazzalai on guitar. Wolfgang Amadeus Phoenix earned the band a Grammy Award for Best Alternative Music Album at the 52nd Grammy Awards held on 31 January 2010. The album received critical acclaim with many publications calling it one of the best albums of 2009. Wolfgang Amadeus Phoenix continued to gain momentum with the increased exposure of the tour. In the US, Phoenix began a promotional tour including performances on several late night talk shows. While the band's previous work enjoyed a moderate underground following, the release of Wolfgang Amadeus Phoenix drew the attention of a more mainstream audience. Maybe they've just hit their stride.Wolfgang Amadeus Phoenix is the fourth studio album by French indie pop band Phoenix. Vocalist Thomas Mars, more bright-eyed and youthful than ever, also sounds more a part of these songs, rather than coming across as a protruding element that clashes against the instruments. 2." Beyond containing the band's best, most efficient songwriting, the album also stands apart from the first three studio albums by projecting a cool punch that is unforced. 1" of "Love Like a Sunset," which serves the same purpose as the extended instrumental passages on Roxy Music's Avalon, at least until its rousing conclusion and shift into "Pt. There is plenty to like beyond that point, including "Lasso," which niftily alternates between a tangled rhythm and tight-spiral riffing, and the labyrinthine "Pt. The two opening songs, the bopping "Lisztomania" and the buzzing "1901," are so immediate and prone to habitual play that the remainder of the album is bound to be neglected. Realigned with Philippe Zdar, the half of Cassius who mixed United, Phoenix make adjustments on the polarizing characteristics of their second and third albums - the pokey and occasionally listless Alphabetical, the jagged and tune-deficient It's Never Been Like That - with some of the most direct and enjoyable songs they've made to date. ![]()
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